As usual, Wendell Berry says it more concisely and effectively than I did (in my previous post), in his essay, "The Agrarian Standard":
"In any consideration of agrarianism, this issue of limitation is critical. Agrarian farmers see, accept, and live within their limits. They understand and agree to the proposition that there is 'this much and no more.' Everything that happens on an agrarian farm is determined or conditioned by the understanding that there is only so much land, so much water in the cistern, so much hay in the barn, so much corn in the crib, so much firewood in the shed, so much food in the cellar or freezer, so much strength in the back and arms—and no more. This is the understanding that induces thrift, family coherence, neighborliness, local economies. Within accepted limits, these virtues become necessities. The agrarian sense of abundance comes from the experienced possibility of frugality and renewal within limits.
"This is exactly opposite to the industrial idea that abundance comes from the violation of limits by personal mobility, extractive machinery, long-distance transport, and scientific or technological breakthroughs. If we use up the good possibilities in this place, we will import goods from some other place, or we will go to some other place. If nature releases her wealth too slowly, we will take it by force. If we make the world too toxic for honeybees, some compound brain, Monsanto perhaps, will invent tiny robots that will fly about, pollinating flowers and making honey."
As usual, Berry, with candor and rigor uncommonly found among many politicians or corporate spokespersons, helps us see the world not as we wish it would be or as powerful interests wish it to be seen, but as it is.
About six months ago, my wife and I gave away our television.
We came to the decision one night, while we were rearranging our apartment. We looked at the wall that was dominated by our TV—not that it was large; I'm still in school, after all—and realized that we were trying to organize our living space around this one thing neither of us thought was that important. Then, we realized that we were spending hours at a time just watching the damn thing, letting our impulsiveness and laziness get the better of us. So, we did the only reasonable thing and promptly sold it. (I admit I was ambivalent, though, about the person who bought it from us: a fellow student who could use the TV to entertain his two-year-old. Start 'em young, right?)
Life changed the next day. Suddenly, we had time to do a number of things we'd simply never made time for when we had the TV. My wife took up knitting, I read about twice as much, we both worked more effectively, and (of all things!) we began to talk a lot more. (Full disclosure: we still use Hulu and Netflix on demand, but we severely limit our time with these to under 4 hours/week.) What's more, I believe this rather insignificant change (in the grand scheme) made possible two key changes for us.
"Whenever they's a fight so hungry people can eat, I'll be there. Whenever they's a cop beatin' up a guy, I'll be there... I'll be in the way guys yell when they're mad an'—I'll be in the way kids laugh when they're hungry an' they know supper's ready. An' when our folks eat the stuff they raise an' live in the houses they build—why, I'll be there."—Tom Joad
Today, I watched John Ford's adaptation of John Steinbeck's The Grapes of Wrath. Only a few minutes in, I could see why the film is frequently in the top fifteen of a wide number of "greatest films" lists. Yet the beauty of the film aside, what struck me was the degree to which I found myself resonating with many of the not-so-subtle political and social critiques leveled by both film and novel alike. It's probably my synthesizing mind—which finds things from disparate sources and weave them together into a more cogent whole—that makes me aware of some of the most important ones, critiques that are no less apropos today than they were in 1939/40.